All Philip Glass articles
-
BlogsAnne Akiko Meyers and the art of collaboration
The violinist on her new recordings of music by Philip Glass, Billy Childs, and Michael Daugherty—and what it means to build trust with the composers who write for her.
-
BlogsTemple of resonance: Brooklyn Rider’s Philip Glass marathon
Brooklyn Rider’s Johnny Gandelsman and Michael Nicolas reflect on the ensemble’s long relationship with Philip Glass’s music for string quartet, which they will perform complete in a three-night marathon
-
VideoOrchestra of the Swan performs Philip Glass
An arrangement of the final movement from String Quartet no.3 ‘Mishima’
-
ReviewConcert review: James Ehnes (violin) National Arts Centre Orchestra/Alexander Shelley
Bruce Hodges attends the performance at New York’s Carnegie Hall on 5 April 2022
-
ReviewAttacca Quartet: Of All Joys
There’s joy to be found in this collection of sombre and thoughtful works
-
ReviewConcert review: Kronos Quartet, Special Music School Quartet, Kodak Quartet
Leah Hollingsworth hears a collection of new works at the Merkin Concert Hall on 21 October 2021
-
ReviewPekka Kuusisto: First Light
Pioneering violinist spotlights two New York composers in a moving album
-
ReviewDavid Nebel: Glass, Stravinsky
A refreshing and highly recommended pairing of 20th-century concertos
-
ReviewPiotr Plawner: Glass
Almost squeaky-clean and crystal-clear playing in a polished view of Glass
-
Premium ❘ FeatureThe singing, humming, whistling, hollering, growling, storytelling bassist
During the past half-century many works have been written for vocalising double bassists. Lisa Mezzacappa delves into this highly creative phenomenon
