A change of scale: ‘Sainton’ Guarneri ‘del Gesù’ violin c.1744

Sainton_Fullview_Front

Expert and conservator Balthazar Soulier and ESRF beamline scientist Paul Tafforeau explore the c.1744 ‘Sainton’ violin by Guarneri ‘del Gesù’, showing how synchrotron phase-contrast microtomography has revealed previously inaccessible evidence of the maker’s working methods

Few violins by Guarneri ‘del Gesù’ have been in the public eye for as long as the ‘Sainton’. As early as 1885, Edward Heron-Allen included outlines of its back, f-holes and scroll in his influential book Violin-Making: As It Was and Is, in what may be considered the first published plan of a ‘del Gesù’. Though schematic and approximate, these full-size templates offered generations of makers a rare insight into the Cremonese master’s late model – even if 19th-century connoisseurs such as Eugène Gand and Georges Chanot II probably misread the date on the label, placing the instrument in 1734…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.