All memorising articles
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Premium ❘ FocusOpinion: Why memorisation is so vital
Cellist Hannah Roberts reflects on the value of memorising music, and why developing this skill can deepen understanding and strengthen communication in performance
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BlogsHow to memorise earlier and smarter: Adam Hockman
The practice and performance consultant identifies what causes memory slips and gives tips on improving memorisation technique
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FeatureShould soloists always perform music from memory?
Pointless and terrifying, or essential for musical communication? Playing without the music arouses some strong opinions, finds Laurinel Owen
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Premium ❘ FeatureFrom the Archive: How to memorise solos
The art of memorising can be mastered by even those who believe they have no aptitude in the area, wrote Edwin H. Pierce in The Strad's December 1894 issue
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BlogsViolinist Aaron Rosand on why memorisation is key to interpretation
The American maestro discusses the importance of understanding a work's cultural background and performing by memory to convey this. From 2016
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Focus10 tips for performing from memory
Guidance from The Strad’s archive from how to incorporate memorisation into your practice, what the benefits might be – and when not to bother
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Premium ❘ FeatureWhere should string players look when performing from memory on stage?
Teacher Talk: your string teaching questions answered by our panel of experts. From October 2011
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Premium ❘ FeatureThe 4 stages of memorising music for performance
With the right concepts and skills, any musician can successfully learn music by heart, as Gerald Klickstein explains
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ArticleCellist Alisa Weilerstein on memorising music
Cellist Alisa Weilerstein gives advice on memorising music during an interview for Classical Chops.
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BlogsPerforming from memory has given our string quartet new life
After twelve years together, playing and recording from memory were key to an exciting rebirth for the Chiara Quartet, writes cellist Gregory Beaver
