My Space: Manuel Ramírez’s San Salvador workshop

Main image

The luthier presents his El Salvador shop

I’ve been restoring instruments for the past 13 years, although I used to be a double bassist with the National Symphony Orchestra of El Salvador. While I was playing at the National Art Centre in San Salvador, I noticed that the instruments there were in a terrible condition, so much so that it was actually painful to play them…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.